I first became aware of Magic Bullet several years ago when one of my students used it to “enhance” one of his class projects.

The software is compatible with Adobe (Premiere and After Effects), Avid, and Final Cut, so multiple editors can all work on the same project across the chain. However, with Magic Bullet Suite 12, this process of creating your look has become much easier. Color correction software is available for this purpose, but the learning and mastery curve is often too steep. Student filmmakers want their products to look like the Hollywood blockbusters and know that most of this occurs in post. Magic Bullet Mojo makes your actors stand out from their background by accentuating their skin tones, even if your colors are pushed into the shadows.Ĭolor correction and grading is more important now than ever before.

4-Way Color that provides a “color wheel” for Highlights, Midtone, and Shadows as well as a Master wheel.

Shadows and Highlights to give you control over the brightness of your shot and.

Lens Vignette, which allows you to remove or add vignetting.

Mojo, which cools the background and also warms up the skin tones.Duotone, which enables shadows and highlights to be tinted with colors you specify.Colorista provides users with three “color wheels”-Highlight, Midtone, and Shadow-with additional adjustments for Curves and HSL.Color Space that does an initial color adjustment to provide the best look from Log footage.With Magic Bullet Looks 3.0, you now have 198 brand-new preset looks that are each fully customizable. The newest addition-Magic Bullet Film-allows your video to look like motion picture film by emulating the whole photochemical process of 35mm and 16mm, reversal, four print stocks, and 22 negative stocks.

Magic bullet mojo ii